The Perspective Of Art And Figures Of Egypt

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The perspective of art and figures of Egypt


In the passage of time the "perspective" was evolving like everything in general, but it is in its beginnings only paintings and drawings which generally classified the objects and people hierarchically according to their importance. The most important figures were higher or much more size, these were called "vertical perspective" was more common in the art of ancient Egypt. They had murals with paintings which tried to project the perspective, but in a way which reflected figures that seemed that they were stuck on a flat background, and the other objects or people overlap each other envelopes.


In ancient Greece the Anaxagoras and Democritus philosophers elaborated geometric theories of the perspective to be able to use them in the Skenographia. Plato was the first to discuss perspective problems, such as light and shadow, and the largest and smaller size that influences weight and measures. Euclid introduced a mathematical theory of perspective. After all or that philosophers and mathematics intervened they were advancing with different important points of the perspective so that they had more life and depth. The Romans used an area perspective, which consisted that the distant landscapes were blurred.

In Europe they didn’t care about the details of the back. From the Renaissance, the painters followed the discoveries of Brunelleschi, the funds were filled with buildings and landscapes to give a feeling of depth. Leonardo da Vinci created the technique of sfumato, which consisted of blurring the edges of a figure. The Gothic painter Giotto, was one of the first painters who began to provide three -dimensionality coherently, although still intuitive to his compositions. The first creators of the perspective were Filippo Brunelleschi in Europe between the years 1417 and 1420.

That made one of the principles that, when an object is far it looks smaller and the nearby I know in more grades. In 1435, another artist dedicated an art book, was an Italian, Leon Battista Alberti, who in his book focused on many things and among them the perspective. At the end of the 19th century, some painters returned to the flat perspective and others distorted them, used several fucking view in the same picture, and others innovated using not only different points of view of the painting but also of the figures. After the Renaissance, during the Mannerist era, you no longer try to represent reality in a naturalistic way, it becomes more complicated.

Illusory perspectives are created with multiple escape points or taking out the escape point outside the painting and deliberately distorted the proportions in a disarticulated and irrational space to achieve an emotional and artistic effect. During the following centuries to the Renaissance, until the end of the 19th century, the perspective continued to be a fundamental tool available to the painters, although at different times voices emerged that criticized the mathematical rigor of compositions as a clipper to the expressive freedom of the artists. During the Mannerist era, they no longer wanted to represent reality naturally. Thanks to this, illusory perspectives with points are created, they went multiple. 

After a while an Italian astronomer and mathematician. After the French Revolution, the romantic movement arose, a prelude to the avant -garde artistic currents of the first part of the 20th century. During this period a more naturalistic concept of art was imposed, less linked to the geometric rigor of the scenes prevailing until then. The appearance of Cubism by Pablo Picasso was an absolute breakdown with the academic concept of perspective. With its purpose of simultaneously reflecting the different facets of a three -dimensional object developed on the plane of the picture.


After so many advances in projective geometry there were a development of other geometries such as analytics and algebraic, and there is a time later I form part of relativity and quantum mechanics. The evolution of the perspective came to advance so much that it is currently not only used in the drawings or compositions, but also graphics to computer, the 3D effects have also been made, and with this numerous video games and animated films were created, apart from powerhave programs that can also project architectural structures, which facilitate seeing how a house or building will be. 

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