Romance of the Moorish King and the surrender of Granada
In this essay that I am going to make I would. Both are located in the times of the fifteenth century and show us the conquest and reconquest between the Crisitans and the Moors. Then I will explain what each work gives us and each characteristic of each and how they compare each other.
"Romance of the Moorish king who lost Alhama" represents a characteristic moment of the narrative of Spain in the fifteenth century, which is the ostracism of the Moors. In this Romace, poetic media as soutbaton and hyperbaton stand out. The work "Romance of the Moorish King that lost Alhama" of anonymous writer reflects characteristic aspects of the average stage where the Moors suffered a defeat at the hands of the last king. The turn is characterized by being a story of a certain fact in a poetic way.
The writer recounts the deprivation and disinterest of King Moro after several warnings. The King ignored the notices: “Letters were come to him that Alhama was won. The letters threw in fire, and the envoy kill.”Similarly, the people saw the little consideration that the king demonstrated and cursed him for having acted like this:“ That is why it deserves, a very folded grrimo;May you miss and the kingdom, and here Granada is lost ”this verse sign a tone of fury and touches of the people. This composition has 55 verses and 11 stanzas, and has assonant rhyme and minor art. It also has reprimand that is repeated “Oh my alhama!”After each stanza, the coletilla is used to reveal the pain of its people.
In the work of Granada’s surrender, he was fed up with the painter Francisco Pradilla in 1882 for the Senate Palace. The canvas of a tremendous size 330 x 550 cm intended to consist of the essence of that historical act The Spanish unit troop for the great events carried out by our ancestors under those glorious citizens as specified the commission written by the Marqués de Barzanallana. His beautiful composition recreates that moment happened on January 2, 1492 in which the Boabdil King delivers the keys of the capital of Granada to the Catholics. The Moor advances from the left of the composition on a black beast and is respected by the Catholic Monarchs waiting to the right seconded by their two older children and the main pages and kings of Castilla’s shield. The illusion is completely imaginary was painted in Rome and although it has a certain ambition of realism, the genuine painter admitted poetry and the breadth with which the story is presented to us.
In conclusion, you are lost from a division or a crusade demonstrates the inhabil of a leader to be able to guide her people losing security this reflects the middle stage. This composition demonstrates the issues of the conquest between Islamics and Christians. This comparative essay shows us what the Middle Ages was and as were the treatment before. The poem gives us a story to read, and the work of art shows us something more visual so we can imagine what happened in Granada’s surrender.
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