The text that we are going to comment is a fragment belonging to the chronic novel of an announced death, by the Colombian writer Gabriel García Márquez (1928-2014), the highest figure of "magical realism". It belonged to the group of authors who promoted the "boom" of the Spanish -American narrative in the 60s, and is undoubtedly the best known of the new narrators. Law studies began, although without showing excessive interest. Intellectual committed to the big problems of our time, he was a novelist, essayist, storyteller and journalist, a profession he exercised in his beginnings and that, together with the cinema, was one of his main interests.
Since the fifties his journalistic activity combines with the writing of stories and novels. In 1982 he received the Nobel Prize for Literature. Among his works, it is worth highlighting the one hundred years of solitude, love in the times of anger and the colonel has no one to write to him. The Spanish -American narrative of the second half of the twentieth century is characterized by its cosmopolitism, social commitment, interest in the existential and the strong irruption of "magical realism", one of the densest narrative worlds of meanings that the Spanish language has given. The authors resort to the use of the magical, the dreamlike and the fantastic.
Developing
The experimentation of new narrative techniques and the search for extraordinary elements of everyday reality. It is an overcoming of realistic and naturalistic techniques and issues and a greater concern for urban spaces and dehumanization suffered by people in the city. In the commented work, the "magical realism" appears reflected for example when a bullet crosses the town square and turns plaster powder to an image of a saint of the Church, or in the smell of the murdered and other sequels that remain inThe people after crime. The commented fragment is in the first chapter of "Chronicle of an announced death".
In which the author explains how the beginning of the courtship between Ángela Vicario and Bayardo San Román, distinguishing three parts. In the first ten lines the Vicar family forces their youngest daughter to marry Bayardo San Román against her will. In the second part, which covers the next ten lines, the brief courtship between them began, Ángela tells Bayardo San Román, at him, that the house he likes most about the town is that of the widower of Xius. Thus, in the last part, Bayardo tries to convince the owner of the house to sell it, offering large amounts of money.
In the text important issues argued in the work such as tradition, which we appreciate at the time when the brothers of Angela are entrusted into their marriage when considering that "they were sheaths of women";Or when Angela’s mother forces her to respect her sister’s mour. Likewise, we find the theme of love, embodied through an opposition between the love imposed that defends pure vicar: "Love is learned";And the nostalgic and true love that Xius’s widower feels for his woman even after having died.
Since he does not want to sell his home because the objects he contains remind her. Finally, fate is one of the central axes of the work and in the text Angela’s parents use it as a pretext to force her to marry: "A family dignified by modesty did not have the right to despise that prize of destiny" regarding theAnalysis of the form, the fragment is a narrative text in which other discursive modalities such as the description (of the views from the house of the widower of Xius) and the dialogue appear, which favors dynamism and speed insideof the work.
In the narrative the prayers are in the third person, showing a point of view of the omniscient narrator, and the predominant verbal times are the perfect past simple: "forgot", "speech", "demolished";And the past pluscuamperfect: "I had tried", "had seen", when treating a past event. Among the language functions that appear within the fragment, it is worth highlighting the emotional and poetic functions. The emotional function is clearly linked to one of the topics discussed in the text: the contrast between the vision of love as feeling and as learning.
On the other hand, the use of certain verbs reveals what the characters feel and their way of being, for example: "Ángela Vicario dared hard", which deduced that in their family nucleus it is oppressed, to the level ofHave to consider expressing your own opinion or not, for fear of your mother’s reaction. Similarly, the verb "demolished", used to describe the way in which pure vicar responds to her daughter, reinforces that oppressive character of Angela’s mother. As for the poetic function, the literary resources present in the text emphasize the expression of feeling in the different characters.
It is worth highlighting the style and language used. In the first place, in the second part of the fragment we see how the chronicler makes an idealized description of the views of Xius’s house of the widower through a literary language, exalting the beauty of the landscape by incorporating metaphorical elements: “Colina swept by winds"," The marshes covered with purple anemones ".Related to the issue of love, we found a metonymy, "with the soul in hand", in which the soul refers to the feelings of the widower, which were exposed when he tried to explain to Bayardo why he did not sell his house.
Likewise, the hyperbole "preferred to die before selling a house where she had been happy for more than thirty years", it also makes us see the deep love of Xius’s widower towards his late woman, who lasts despite the time. This progressive sample of the feeling of widower culminates with a metaphor, which we also link with the issue of tradition, since the owner of the House of the Colina considers that the concept of young people’s love is artificial compared to that of adults, that do understand the "reasons for the heart". As an opposition to all this romantic love.
Angela’s mother plasma through rhetoric her concept of love, more traditional and conventional, that is not born from oneself, but for her "love also learns". On the other hand, "a family dignified by modesty" constitutes euphemism and periphrasis, both resources used to try to say that the family of Angela Vicario was a family of scarce resources. Regarding language, we see a mixture of linguistic records: the record under used by the Vicar ("pod") brothers when proceeding from a humble family, intersects the cult of the journalist.
Prayers are concise, clean and clear in the dialogues of the characters and in the description. The whole novel develops in the town, mainly in the square and in the houses that surround it, although at the end of the work, once the honor of Angela was saved, many of the characters are forced to move to other villages. Knowing that this text belongs to the first chapter, we know that the action is still developed in the initial town, and specifically the dialogue between Xius and Bayardo’s widower takes place in the social club. The time in the novel is cyclical, decomposing at times.
The fragment informs us about the courtship between Ángela Vicario and Bayardo San Román, which last four months and, within that period prior to the wedding, the boyfriend takes three days to convince the widower to sell the house. However, all this is a past action, since the chronicle is based on the murder of Santiago Nasar, which occurred 27 years before. Regarding the characters, in the commented text Angela Vicario, Bayardo San Román and the widower of Xius stand out. Search for a woman to marry. His personality is opposed to that of Angela.
Well, Angela is a young woman with a humble condition, who is forced to a marriage of convenience that will favor her family. It appears characterized in this fragment as a woman who is mired in a hard oppression exerted by her family, which has an impact on it generating a feeling of shyness and submission in all areas of her life. In addition, we see that it is insecure of herself, saying that Bayardo San Román seemed "too much man" for her. However, this personality will evolve throughout the novel, leaving aside the helpless air and becoming a woman with their own and mature voice.
conclusion
Bayardo San Román is a cultured, strong and attractive man who arrived in the village in dominant, sure of himself;And the text proves that he is a man who achieves everything he wants: "The irresistible way with which Bayardo San Román fixed things". We see that his character leads him to have an incredible power of persuasion, since he did not need to seduce Angela or fall in love to marry her, but "he enchanted the family with her charms". Bayardo’s domain is such that it practically forces the widower Xius, who does not want to sell his house for sentimental reasons, to do so.
Xius’s widower appears as a reflection of honest and romantic love that links two people for life, a love contrary to the union of Angela and Bayardo San Román, which is characterized by the lack of that feeling of affection and the imposition. The widower also embodies traditional values within the text, as the chronicler transmits to us: "Xius’s widower explained with a good old education" in short, in this fragment Gabriel García Márquez tries to show the traditional values thatThey moved the society of the time through the narrative innovation of magical realism, resorting to a perfectly balanced union between the journalistic and the literary.
Free Magic Realism: Chronicle Of An Announced Death Essay Sample
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Magic Realism: Chronicle Of An Announced Death
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Magic realism: Chronicle of an announced death
Introduction
The text that we are going to comment is a fragment belonging to the chronic novel of an announced death, by the Colombian writer Gabriel García Márquez (1928-2014), the highest figure of "magical realism". It belonged to the group of authors who promoted the "boom" of the Spanish -American narrative in the 60s, and is undoubtedly the best known of the new narrators. Law studies began, although without showing excessive interest. Intellectual committed to the big problems of our time, he was a novelist, essayist, storyteller and journalist, a profession he exercised in his beginnings and that, together with the cinema, was one of his main interests.
Since the fifties his journalistic activity combines with the writing of stories and novels. In 1982 he received the Nobel Prize for Literature. Among his works, it is worth highlighting the one hundred years of solitude, love in the times of anger and the colonel has no one to write to him. The Spanish -American narrative of the second half of the twentieth century is characterized by its cosmopolitism, social commitment, interest in the existential and the strong irruption of "magical realism", one of the densest narrative worlds of meanings that the Spanish language has given. The authors resort to the use of the magical, the dreamlike and the fantastic.
Developing
The experimentation of new narrative techniques and the search for extraordinary elements of everyday reality. It is an overcoming of realistic and naturalistic techniques and issues and a greater concern for urban spaces and dehumanization suffered by people in the city. In the commented work, the "magical realism" appears reflected for example when a bullet crosses the town square and turns plaster powder to an image of a saint of the Church, or in the smell of the murdered and other sequels that remain inThe people after crime. The commented fragment is in the first chapter of "Chronicle of an announced death".
In which the author explains how the beginning of the courtship between Ángela Vicario and Bayardo San Román, distinguishing three parts. In the first ten lines the Vicar family forces their youngest daughter to marry Bayardo San Román against her will. In the second part, which covers the next ten lines, the brief courtship between them began, Ángela tells Bayardo San Román, at him, that the house he likes most about the town is that of the widower of Xius. Thus, in the last part, Bayardo tries to convince the owner of the house to sell it, offering large amounts of money.
In the text important issues argued in the work such as tradition, which we appreciate at the time when the brothers of Angela are entrusted into their marriage when considering that "they were sheaths of women";Or when Angela’s mother forces her to respect her sister’s mour. Likewise, we find the theme of love, embodied through an opposition between the love imposed that defends pure vicar: "Love is learned";And the nostalgic and true love that Xius’s widower feels for his woman even after having died.
Since he does not want to sell his home because the objects he contains remind her. Finally, fate is one of the central axes of the work and in the text Angela’s parents use it as a pretext to force her to marry: "A family dignified by modesty did not have the right to despise that prize of destiny" regarding theAnalysis of the form, the fragment is a narrative text in which other discursive modalities such as the description (of the views from the house of the widower of Xius) and the dialogue appear, which favors dynamism and speed insideof the work.
In the narrative the prayers are in the third person, showing a point of view of the omniscient narrator, and the predominant verbal times are the perfect past simple: "forgot", "speech", "demolished";And the past pluscuamperfect: "I had tried", "had seen", when treating a past event. Among the language functions that appear within the fragment, it is worth highlighting the emotional and poetic functions. The emotional function is clearly linked to one of the topics discussed in the text: the contrast between the vision of love as feeling and as learning.
On the other hand, the use of certain verbs reveals what the characters feel and their way of being, for example: "Ángela Vicario dared hard", which deduced that in their family nucleus it is oppressed, to the level ofHave to consider expressing your own opinion or not, for fear of your mother’s reaction. Similarly, the verb "demolished", used to describe the way in which pure vicar responds to her daughter, reinforces that oppressive character of Angela’s mother. As for the poetic function, the literary resources present in the text emphasize the expression of feeling in the different characters.
It is worth highlighting the style and language used. In the first place, in the second part of the fragment we see how the chronicler makes an idealized description of the views of Xius’s house of the widower through a literary language, exalting the beauty of the landscape by incorporating metaphorical elements: “Colina swept by winds"," The marshes covered with purple anemones ".Related to the issue of love, we found a metonymy, "with the soul in hand", in which the soul refers to the feelings of the widower, which were exposed when he tried to explain to Bayardo why he did not sell his house.
Likewise, the hyperbole "preferred to die before selling a house where she had been happy for more than thirty years", it also makes us see the deep love of Xius’s widower towards his late woman, who lasts despite the time. This progressive sample of the feeling of widower culminates with a metaphor, which we also link with the issue of tradition, since the owner of the House of the Colina considers that the concept of young people’s love is artificial compared to that of adults, that do understand the "reasons for the heart". As an opposition to all this romantic love.
Angela’s mother plasma through rhetoric her concept of love, more traditional and conventional, that is not born from oneself, but for her "love also learns". On the other hand, "a family dignified by modesty" constitutes euphemism and periphrasis, both resources used to try to say that the family of Angela Vicario was a family of scarce resources. Regarding language, we see a mixture of linguistic records: the record under used by the Vicar ("pod") brothers when proceeding from a humble family, intersects the cult of the journalist.
Prayers are concise, clean and clear in the dialogues of the characters and in the description. The whole novel develops in the town, mainly in the square and in the houses that surround it, although at the end of the work, once the honor of Angela was saved, many of the characters are forced to move to other villages. Knowing that this text belongs to the first chapter, we know that the action is still developed in the initial town, and specifically the dialogue between Xius and Bayardo’s widower takes place in the social club. The time in the novel is cyclical, decomposing at times.
The fragment informs us about the courtship between Ángela Vicario and Bayardo San Román, which last four months and, within that period prior to the wedding, the boyfriend takes three days to convince the widower to sell the house. However, all this is a past action, since the chronicle is based on the murder of Santiago Nasar, which occurred 27 years before. Regarding the characters, in the commented text Angela Vicario, Bayardo San Román and the widower of Xius stand out. Search for a woman to marry. His personality is opposed to that of Angela.
Well, Angela is a young woman with a humble condition, who is forced to a marriage of convenience that will favor her family. It appears characterized in this fragment as a woman who is mired in a hard oppression exerted by her family, which has an impact on it generating a feeling of shyness and submission in all areas of her life. In addition, we see that it is insecure of herself, saying that Bayardo San Román seemed "too much man" for her. However, this personality will evolve throughout the novel, leaving aside the helpless air and becoming a woman with their own and mature voice.
conclusion
Bayardo San Román is a cultured, strong and attractive man who arrived in the village in dominant, sure of himself;And the text proves that he is a man who achieves everything he wants: "The irresistible way with which Bayardo San Román fixed things". We see that his character leads him to have an incredible power of persuasion, since he did not need to seduce Angela or fall in love to marry her, but "he enchanted the family with her charms". Bayardo’s domain is such that it practically forces the widower Xius, who does not want to sell his house for sentimental reasons, to do so.
Xius’s widower appears as a reflection of honest and romantic love that links two people for life, a love contrary to the union of Angela and Bayardo San Román, which is characterized by the lack of that feeling of affection and the imposition. The widower also embodies traditional values within the text, as the chronicler transmits to us: "Xius’s widower explained with a good old education" in short, in this fragment Gabriel García Márquez tries to show the traditional values thatThey moved the society of the time through the narrative innovation of magical realism, resorting to a perfectly balanced union between the journalistic and the literary.
Free Magic Realism: Chronicle Of An Announced Death Essay Sample
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