Love, violence, respect or culture; Infinity of characteristics that can mark a family
The Coco film, has as its main theme the family, which Capulín (2016) defines as “a fundamental institution where people develop as socio -cultural entities”. It tells Miguel’s story, a child who dreams of being a musician as great as his idol, Ernesto de la Cruz, who to follow this dream has to face his family. The first relevant aspect of the film is observed when Miguel wants to be a musician, in which family communication problems are evidence abrupt and little respectful, producing in him sadness and deterioration of the family relationship.
The hatred of the Rivera family for music comes from generations behind, because Mama Imelda (the great -grandmother) was abandoned by her husband (Héctor), a musician who disappeared and never returned, from that day the music was prohibited in that place, and the whole family dedicated himself to making shoes. From that moment on, the Rivera family becomes a single -parent family in which Mama Imelda had to take care of the home. As in the case of Mama Imelda, many Latin American families are single -parent, the Economic Commission for Latin America and the Caribbean (ECLAC) conducted a comparative investigation into the structure of the family in 18 Latin American countries, in which the case of the case of the case of the case of the Manoparental family man as head of the household with minimal percentages; Unlike households where the woman is the one that keeps her children, with larger percentages.
Although Mexico is a country in which Martínez reports that “in the Metropolitan area of Guadalajara, the idea that man must be brave, strong, hard, have control of the situation, ensure the well -being of others, have the home supplier role, as well as the idea that men should not cry, because they do so, they face social coercion mechanisms based on the fear of being stigmatized as feminine or homosexual ”, as well as many Latin American countries, they are It stands out and highlights that Mom Imelda took her daughter (Mom Coco), who in turn had children and formed a great family. On the other hand, she showed how Miguel fought for her dream without disrespecting her family, getting her to be more united and happy.
Contrary to the family values observed in coconut, is the animal’s wife, a film written and directed by Víctor Gaviria (2016), she tells Amparo’s life, a teenager who suffers all kinds of abuse and humiliations by her "partner ”, An older man, than the violation, took which object and made his wife. López and Pueyo refer that "violence against the couple is any attempt, threat or real violence perpetrated by a man or a woman against someone who has, or has had an intimate romantic relationship".
Also, Platea Qualquin that “violence from a gender perspective assumes conceptualizing that relations in our society are not only based on an unequal distribution of power, but are constitutive part of social construction, of female and male subjectivity. This distinction allows men to appear statistically as mainly aggressors and women, as mainly victims. From the gender view, violence in the family reveals a structural phenomenon inherent in patriarchal hegemony, which must be analyzed directly with social structures and collective representations that are continually produced and reproduced as normal ”.
Although in recent years the empowerment of women has come and the rejection of domestic violence, due to the high ones indicate of violence and femicides not only in Colombia, but also, in Latin America and the entire world, so that , the quiet approach remains the sad reality of Latin American countries, where the animal’s woman is just a reflection of what hundreds of women live. In Colombia, a survey that covered 3.272 urban women and 2.Rural 118 found that 20% had suffered physical abuse, 10% sexual abuse and 34% sociological abuse, as if being a woman in this society was a factor that predisposes to the appearance of this type of violence. In addition, this film represents how to grow in an atmosphere of violence, framed by poverty and social marginalization, as is the case of the Jerusalem neighborhood in which the animal’s wife was recorded, which is located in the limits of Medellín with The Bello Municipality.
In Colombia as in the world, there are many neighborhoods framed by this type of violence, since “the socioeconomic differentiation that is made of the neighborhoods to divide them into residential neighborhoods (in which families of middle and high strata live) and popular neighborhoods ( Inhabited by low -strata families) is very strongly present in the social imaginary in the city.
One of the consequences that they would have visible from young people from their participation in acts of violence, is the stigmatization that occurred from the popular neighborhoods and the young people who live in them. It is undeniable that violence is presence in popular neighborhoods in multiple ways. In the background of this problem there is an objective reality that compromises criminal organizations associated with drug trafficking and organized crime, which find among the unemployed and de -school young people, human material willing to earn some money in these types of activities.
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