Literary Comment On The Work Of Art Tartufo

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Literary comment on the work of art Tartufo

Tartufo is a literary work that corresponds to the French playwright, actor and poet Jean Baptiste Poquelín, a member of the small bourgeois class that had great support of King Louis XIV and his brother Monsignor, in turn, the dramatic gender writing with a subgenreComic first published before an audience in 1669 after five years of prohibition for reasons of social controversy uses characteristic resources to those of its classicist era, referring to the use of the Alexandrian verse, structure divided into five acts and respect for the three units (time, action and place) mentioning that the literature of his time should be governed by the rules of the Court.

The theatrical piece manifests through colloquial speech accompanied by adjectives and pejorative a criticism of the hypocrisy of bourgeois society in times of the author, although, it is always a distinctive present in human nature, however, in the dialogue text it is argued with theirremediable attitude of a false devotee who, through the disguise of corruption and immorality, sought to establish himself from the economy and honor of a plutocrat family, therefore, the matter is manifested in the protagonist of the story with the objective of exalting the human attributes alluded toThe false virtue and social values as well as morals, focused by the writer in the aspect of religion, to emphasize the false faith of some class ‘class’ groups.

The structure of the dramatic text divided into five acts with their respective scenes uses a direct dialogue with a narrative discourse that facilitates together with the acting and scenario the communication of the characters, directed from the point of view of an objective narrator, who inName of the author encompasses the events in a closed and real space, that is, in the room of the house of a Parisian bourgeois, in order to create a psychological environment that emphasizes a tense emotional climate, based on the constant concern, conflict and conflictSocial criticism in which the actors live, the same ones that develop the events in a linear chronological time, to represent the period of the writer during the seventeenth century.

The characters of the written referred to those primary, secondary, tertiary and incidental entail a flat and round psychology that is responsible for manifesting the characteristics and stereotypes of society, thus, the characters include hypocrisy, obstinacy, obedience, authority, lie,Prudence, quality of skillIn a different space-time, thus demonstrating the different types of people members of a social group.

The theatrical text accompanied by certain monologues of the actors maintains retardant moments for the presentation of the dramatic tension, this explains that before that arrived, it has been wanted to accentuate in the development of the actions, especially in the hypocrisy of the protagonist and the prudenceThe other figures, although the tension arrives, the conflict explodes and the truth of the deceptive tartufo is known, this happens with the use of the verb in imperative mode with present time, so that a comic language is formed due to the combination between the languagelegal and devotee.

The message of the text made according to the writer’s perspective and his diachronic language according to the seventeenth century maintains the presence of rhetorical figures in reference to simile and hyperbole, including the aostrophes, who grant a more face -to -face and realistic reading, in addition to having a syntactic structureWith preference to preaching, because being a dramatic text and having a dual channel: oral and written, their phrases are short and simple.

The literary work externalizes a criticism of the lack of values according to honesty, loyalty, ethics, trust, justice and gratitude, directed by the playwright towards false devotees who manipulate religion for immoral purposes, therefore, try to reveal and correct theVices of society, based on the consequences of being a greedy person, someone who excessively wants the economy of others to achieve economic ascent without due effort, repressing enjoying the good aspects of life, authenticity, the common good, thecollective link and approach to reality, without the stimulus of fantasizing a future with the false personality, infamy and robbery of others. 

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