Jazz Music In Nightclubs

0 / 5. 0

Jazz music in nightclubs


Making a historical sweep within the culture of jazz we go back to the era of slavery. Influenced by African rhythms, slaves devised a way of making their pain feel for the jobs that were taxes. This music began to develop as its own form of expression and escape to its black roots, therefore, it became a symbol of hope and a hymn of freedom for the slave of color in search of their freedom. Despite the passing of the years, in the United States racism remained incredibly strong and blues songs were the only way in which black culture progressed once slavery was abolished.

The blues was an instrument protest for black, a way of being heard by white, to let him know that change was necessary. For example, in the agricultural belts the work songs arose, marked by the rhythm and syncop. Touching Colombian music I have realized that all harmonic and rhythmic structures were the basis of developing all the music that we can hear today today.


In short, jazz and blues as social actors managed to give voice to African -American minorities in the first half of the twentieth century, showed that not only their human integrity had to be respected, but their role as musicians, artists, regardless of theircolor. However, jazz has become a more intellectual and study art. At present, ethnic music as a means of protest is still used to claim the rights of minorities or oppressed nations.

It is important to understand the evolution of the genre, the transition from jazz blues and its culmination to the doctorate of art. The Africans when they arrived in America, kept their pagan traditions and when they met the Christianity that was imposed on them, they began to add aspects of their rites such as the use of palms, rhythmic movements and black voices to ecclesiastical celebrations, to which the mostafternoon would give rise to the gospel. 

Subsequently, at the end of the Civil War, many slaves were released and moved to the cities, finally New Orleans a multicultural city was the first city of the south to receive new musical instruments, so blacks again dedicated themselves to whatWhat better knew how to entertain whites that despite not being their ideal form of the search for progress,

Like the blacks who were released, they did not comply with any previous musical training or previous classical knowledge of harmony, melody and rhythm;They chose to imitate their voice with the instruments and what they sang and there arises a fundamental and determining aspect in jazz: improvisation. My experience with improvisation has been very hard in expressive and musical terms. The approach I have had was for a long time depending on music itself and without knowing what I was saying when improvising, but it did fulfill the same characteristic of making music from the intuitive and not from musical theory. 

Then I realized that there must be something beyond music by itself and I began to sensitize myself more about what you want to express in each subject and be able to contextualize it to my life. For example, jazz is still used for social purposes and even in the 21st century you can see social inequality and oppression by elites, which is an important element that is still in force when it comes to making art.

Later these very recent artistic movements moved to cities from the North such as New York and Chicago. These metropolis have experienced a notable increase in their black population product of the economy bonanza thanks to which the industry of entertainment and the premises of alcohol traffickers, clandestine game and prostitution that gave shelter to the new bands also grew to the new bands. 

In these nightclubs, music was played by blacks for the white audience. Large groups emerged that through both social and political economic history of the east coast of the United States went through several facets such as Bebop, Swing, Free Jazz and many others that despite having differences in sound and style haveA common purpose: transmit a message.

During the years of depression Chicago jazz became an intimate circle of jazzmen who visit each other and organize private meetings in their homes. Many musicians emigrated to Europe and saw the first great European jazzists like Django Reinhardt and Stéphane Grappelli emerge in another world and influence of jazz giving rise to new styles of the genre.

Jazz was born as the genuine expression of an oppressed class that demanded freedom: the black Americans who lived for music were not interested in politics, but the case of black musicians, who suffered the brutal and omnipresent racial discrimination,things were different. Parker played Now’s The Time insisting that the time had come for social change, Charles Mingus composed Fable of Faubus in response to the racism of Arkansas Orval Faubus governor.

It all begins with the need of the African American to be heard and that society realized that it was time to turn American history and make it inclusive with minorities, with musicians who did not necessarily dedicate themselves to classical music that used to be elitist. This black jazz revolution could be understood as the first step of the African -American revolution and music within society, wanting to turn the culturally established, which spoke of exclusion to what was supposedly not right, color andNew musical rhythms. 

The change terrified American society, social evolution was more than necessary, but apparently the few to notice were African Americans, and through the musical element of jazz they began to express it, as can be seen in the compositions of the 40s and50, manifested in favor of freedom of opportunities and against racial segregation. He promoted the unity and identification of blacks, who sent themselves deeply proud of this musical style that they recognized as their own, as the only authentic. 

Passion and perseverance were factors that undoubtedRacial American and the emergence of endless musical genres that demonstrated identity and union.

From my perspective as a musician, it is essential to create a not only artistic but social impact on any art. Touched in several enclosures where the purpose of the event is social. For example in an event whose destination funds will send food to the children of La Guajira, in one to promote recycling and in a mobilization to defend peace. Always keeping in mind the social reasons in artistic expression. It is evident that social causes have changed a lot over time, but the art-socialness relationship always in force.

Theodor Adorno A German philosopher said that jazz was less the expression of primitive and archaic needs than slave music with sadomasochistic characteristics. There is an identification of the assault with the aggressor. When recently released black orchestras dealt with the entertainment of whites, it was shown that a domination relationship was accepted. 

Adorno, t. Perennial Fashion Jazz, PG. 121. This is wrong because if the Afro population of the time would have taken, probably the United States, even the world would continue to be even more racist than it is still, art made many understand that under the skin we all have the same,that we all belong to the same humanity that seeks the same, survive and live, be someone and die for something.


Undoubted that the development of this musical style included to a relegated class to deploy an authentic artistic manifestation, which enabled people without resources or training to be creators of a serious art, which served as a way of manifesting against a racist and exclusive system, which predisposed to cultivate music reflectively, which led to develop the aesthetic aura and stop being passive and thoughtless consumers of a mass art that was alien and antagonistic.

Music in a few words became the maximum element of expression for an oppressed community since the beginning of the history of America, which despite this thanks to its creativity and originality gave birth to one of the most relevant genres withinThe musical, and social history of North America, allowed usJazz did not change the world for everyone, if he succeeded for some.


  • Amoruso, n. (2014). A review of Theodor Analysis of Jazz. 1st ed. Valencia: Rei Apart.
  • Garlitz, Dustin Bradley, ‘Philosophy of New Jazz’ (2007). Graduate Beeses and Dissertations.

Free Jazz Music In Nightclubs Essay Sample

Related samples

Zika virus: Transmission form Introduction The Zika virus belongs to the Flaviviradae family, was found for the first time in a monkey called Rhesus febrile and in...

Zika virus: cases and prevention Introduction The World Health Organization (WHO) has confirmed that Zika is a virus caused through the mosquito bite which is...

Zeus The King of Greek mythology Introduction Zeus is the Olympic God of heaven and thunder, the king of all other gods and men and, consequently, the main figure...

Zeus's punishment to Prometheus Introduction Prometheus, punished by Zeus Prometheus, punished by Zeus. Prometheus is a ‘cousin’ of Zeus. He is the son of the...


Leave feedback

Your email address will not be published. Required fields are marked *