The comediography Aristophanes (446 – 388 to.C.), known for his great ingenuity and sense of humor in a time of war as was that of Peloponnesus, and later in the defeat against Sparta. Aristophanes was always pacifist and panhelenista, his comedies distort reality and make fun of her for didactic purposes. He worries happiness and does not hesitate to criticize the political and judicial system. His works are characterized by his great historical value in addition to the literary, since in them the daily actions of the life of the Athenians are reflected, he sought to guide the meaning of his works towards a criticism against the war. Among his works, Lisístrata, the clouds, and peace, where a struggle for peace against war defenders is sought.
Developing
Aristophanes in this political and social context wanted to claim the inequality of the female people against the power of men. With this text it is fundamentally the inoperative role of men. It is also palpable in the argument of this work, which Aristophanes seeks both the Athenian city and criticizing its vices, and sometimes the misuse of democracy. Aristophanes takes tragedy models such as: the characters, the plot movements, the songs and the metric, from the parties of Dionisio, Demeter and íaco, parties that refer to sex, speaking of this as something natural and spontaneous. Reference to the theatrical plot and the structure of the work we can say that the comedy consists of a succession of choir scenes that are distributed to the poet’s taste.
The yambic scenes of recited verses and the parabasis that were interventions of the choir and the corifeo that are directed to the public. The fragment of our study belongs to the dramatic genre, specifically to the dramatic and lyrical representation of the comedy. If your opposite, the tragedy addresses serious issues, comedy will deal with its songs more casual with everyday themes, taken to a humorous context for their vulgar language, this is only possible if it is comedy. Comedy is also characterized by the presence of the "choir" that has as a dramatic function to comment on what happens to the characters satirically, support the main character or reject it. Its representative is the corifeo, which dialogues as one more character and maintains the dramatic action.
The choir was composed of 24 members in addition to the 3 actors with a wide variety of characters. Aristopanes’ works start from an distressing situation followed by ridiculous and fantastic situations in which a hero seeks to reach happiness. The origin of the comedy could be in the processions of choirs dressed in animals, masks and phallic objects that invoke gods, dance, insulted and made fun of the public. The actors used to be men, who represented the female role disguising themselves. The first contest took place in Athens in 486 to.C. The comedy was divided into several stages, thanks in part by the representatives at all times. His first stage is known as ancient comedy and has as the main exponent of Aristophanes.
Reaching the fourth century to.C The average comedy begins and later the genre will evolve to the new comedy, in 321 to.C. With "Misantropro de Menandro" you can see the fundamental changes. During the classical Greek era in addition to the dramatic genre to which comedy belongs and tragedy, other types of genres, such as epic, the epic is a narrative poetic literary genre that tells the deeds of the warriors and is executed by An Aedo through the song accompanied by rope. The epic singer receives the inspiration of the muses or Apollo, has a divine character and can memorize great lists of names and feats of heroes. The Aedo is usually a professional who goes from town to town acting in real palaces or in squares.
His main exponent was Homer, with two of the great works of all literature, illeg and odyssey. Another author of the very important Greek epic was Hesiod, he is the first poet who signs his works and that reflects his personal opinions using sentences that resemble oracular poetry. His works are practices and among them we highlight the "theogony" or "the jobs and days". The genre of lyric poetry has also been very studied, the lyric was originally a poetic composition sung accompanied by a lyre. Although Horacio said more adding that it was the expression of a subjective theme attached to the poetic "I". It normally has a fixed ternary structure (formed by a proem, a mythical development and an epilogue) highlights the "I" seeking to influence the listener and is part of a poetic contest or a reduced aristocratic literary circle.
conclusion
It developed between the S. VII and half of the s. V ac. It was created for collective enjoyment. The most influential poet of this era was Safo de Mitilene, few were the poems that could be preserved from her, but among them we can find the "anthem in honor of Aphrodite". Fables were a genre that was always present throughout literary history. Among the Greek fabulists we will highlight Esopo, he was an important character who enjoyed great popularity, although he was a slave to a philosopher when his talent gave him freedom he led him to be considered by the aristocracy as a great fabulist due to his animal stories, among them "the hare and the turtle".
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Comedy In Everyday Life
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Comedy in everyday life
Introduction
The comediography Aristophanes (446 – 388 to.C.), known for his great ingenuity and sense of humor in a time of war as was that of Peloponnesus, and later in the defeat against Sparta. Aristophanes was always pacifist and panhelenista, his comedies distort reality and make fun of her for didactic purposes. He worries happiness and does not hesitate to criticize the political and judicial system. His works are characterized by his great historical value in addition to the literary, since in them the daily actions of the life of the Athenians are reflected, he sought to guide the meaning of his works towards a criticism against the war. Among his works, Lisístrata, the clouds, and peace, where a struggle for peace against war defenders is sought.
Developing
Aristophanes in this political and social context wanted to claim the inequality of the female people against the power of men. With this text it is fundamentally the inoperative role of men. It is also palpable in the argument of this work, which Aristophanes seeks both the Athenian city and criticizing its vices, and sometimes the misuse of democracy. Aristophanes takes tragedy models such as: the characters, the plot movements, the songs and the metric, from the parties of Dionisio, Demeter and íaco, parties that refer to sex, speaking of this as something natural and spontaneous. Reference to the theatrical plot and the structure of the work we can say that the comedy consists of a succession of choir scenes that are distributed to the poet’s taste.
The yambic scenes of recited verses and the parabasis that were interventions of the choir and the corifeo that are directed to the public. The fragment of our study belongs to the dramatic genre, specifically to the dramatic and lyrical representation of the comedy. If your opposite, the tragedy addresses serious issues, comedy will deal with its songs more casual with everyday themes, taken to a humorous context for their vulgar language, this is only possible if it is comedy. Comedy is also characterized by the presence of the "choir" that has as a dramatic function to comment on what happens to the characters satirically, support the main character or reject it. Its representative is the corifeo, which dialogues as one more character and maintains the dramatic action.
The choir was composed of 24 members in addition to the 3 actors with a wide variety of characters. Aristopanes’ works start from an distressing situation followed by ridiculous and fantastic situations in which a hero seeks to reach happiness. The origin of the comedy could be in the processions of choirs dressed in animals, masks and phallic objects that invoke gods, dance, insulted and made fun of the public. The actors used to be men, who represented the female role disguising themselves. The first contest took place in Athens in 486 to.C. The comedy was divided into several stages, thanks in part by the representatives at all times. His first stage is known as ancient comedy and has as the main exponent of Aristophanes.
Reaching the fourth century to.C The average comedy begins and later the genre will evolve to the new comedy, in 321 to.C. With "Misantropro de Menandro" you can see the fundamental changes. During the classical Greek era in addition to the dramatic genre to which comedy belongs and tragedy, other types of genres, such as epic, the epic is a narrative poetic literary genre that tells the deeds of the warriors and is executed by An Aedo through the song accompanied by rope. The epic singer receives the inspiration of the muses or Apollo, has a divine character and can memorize great lists of names and feats of heroes. The Aedo is usually a professional who goes from town to town acting in real palaces or in squares.
His main exponent was Homer, with two of the great works of all literature, illeg and odyssey. Another author of the very important Greek epic was Hesiod, he is the first poet who signs his works and that reflects his personal opinions using sentences that resemble oracular poetry. His works are practices and among them we highlight the "theogony" or "the jobs and days". The genre of lyric poetry has also been very studied, the lyric was originally a poetic composition sung accompanied by a lyre. Although Horacio said more adding that it was the expression of a subjective theme attached to the poetic "I". It normally has a fixed ternary structure (formed by a proem, a mythical development and an epilogue) highlights the "I" seeking to influence the listener and is part of a poetic contest or a reduced aristocratic literary circle.
conclusion
It developed between the S. VII and half of the s. V ac. It was created for collective enjoyment. The most influential poet of this era was Safo de Mitilene, few were the poems that could be preserved from her, but among them we can find the "anthem in honor of Aphrodite". Fables were a genre that was always present throughout literary history. Among the Greek fabulists we will highlight Esopo, he was an important character who enjoyed great popularity, although he was a slave to a philosopher when his talent gave him freedom he led him to be considered by the aristocracy as a great fabulist due to his animal stories, among them "the hare and the turtle".
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