Analysis of the Documentary of the Island of Flowers
It is clear that there is a break between visual or film events and conventional melody, for this twentieth century all music in films is subject to functionality and not to the soul, it is consequently thanks to the evolutions of the technical media of the cinema of cinemaSound, but both one and the other are important pieces that are intertwined to keep the viewer under domain.
Just as being is subjected to rules and creates its own customs, music in the cinema is not indifferent;one of the customs in the cinema is the leitmotiv (communicate information to the spectator).
The cinematographic leitotiv consists of the identification and association of music to a character, such as in the Flowers Islands when Mrs. Anita is going to barter or is in the supermarket and a bell sounds that indicates that it is themoney exchange machine.
The Wagnerian leitmotiv is characterized by a short musical reason or idea. It is created from a complex plot of union and superposition of these reasons, this leitmotiv is identified when they are presented to Japanese Jaffu Masaki Suzuki the melody that characterizes it and geographically located is heard.
The sound curtain or the interruption technique through music is that which is included in the projections, but practically excluded dramatic psychology, that is, it goes unnoticed, such as when they are collecting the garbage from the terrero where the garbage is deposited andSome employees of the owners of the pigs separate the projects of organic origin from the garbage, who judge as suitable for pig feeding. It is at this precise moment where the musical curtain intervenes, but it is almost not perceived, since the look or attention is in all the waste they are choosing and waiting for another event.
Musical illustration is an interpreter function that must appear precisely, music must follow visual events. This happens at the time where they expose the island of the flowers as the island chosen so that garbage smells badexample to Jews as other human beings with the same opposable thumb as others.
Stock Music is one of the best known, the one that relates to the situations that usually accompany, stereotypes that are frequently used, such as when the description of a marriage family is made, the melody sounds that at the time united them united them.
Now, the use of musical clisés can be of great help, since the human being in most cases makes a faster relationship when listening and seeing is, but runs the risk of falling into something repetitive that generates the viewera kind of prediction, avoiding the intrigue, desire or desire of the person towards the film.
Finally we can say that the cinema from the beginning offered more than the first sound cinema, since this consisted of dialogues and effects of realistic sounds connected or synchronized with the image, we can now say that the voices began to be handled, theEffects of digital sounds, even silences, unifying creativity with the expressive, but not a job, not a melody that is created from the beginning of a script or that comes out from the soul, of course if we forget the sound of a filmPeople who have the possibility and ability to see more details in the plot or understanding of the plot are counted.
On the island of Flores there are few flowers, but a lot. If I tell you that the short tells what happens to one of the SR tomatoes. Suzuki until you reach the island of Flores will probably think, «Oh, what a exciting story!»Yes, exciting story that Jorge Furtado tells us in this short documentary, in which in just 12 minutes he gives us a master lesson of how our world works.
But the fact is that between laughter and laugh we are rediscovering a reality that is not very beautiful, concepts such as money, work, trade, profit, property, property … and the "monster" begins to show its guts. And we also rediscover that the "monster" does not feed him (alone) the mandamases and planetary gerifals, but needs the SR. Suzuki and his tomatoes, and of Doña Anita and her perfumes, and the owner of the pigs … And so, the film is pausing its rhythm to give us the opportunity to digest our garbage of human beings of highly developed telencéfalo. And as it rests, digestion is making us lose the smile and emotion increases to the closure, with a cecília Meireles appointment: ‘Freedom is a word that the human dream feeds, that there is no one to explain and no one who does notin shop’. Curious end by the way, because in an extremely explicit work you could hardly have achieved a more open ending.
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