Analysis of Pablo Neruda Poem 13
Introduction.
Poem 13 is a composition of the Chilean Pablo Neruda, one of the most important poets of the twentieth century and a member of "the 1920 literary generation". It is worth mentioning that he maintained in his writings some inclination to the surreal vanguard with which he intended to express his ideology and disagreement towards the social situations of the time.
This is how this writing configures in his book "Twenty love poems and a desperate song" that was published in 1924, it is here that a theme that deepens love, nostalgia and eroticism is made perceptible. In the same way it happens in poem 13, in which a theme of love is drawn by the lyrical speaker in a mixture of feelings loaded with joy-tristeity towards the beloved woman.
The beloved woman is the one who is configured as the lyrical object, therefore, the lyrical motive is to conveIt is transmitted through the carmine attitude that is made perceptible through the depth and sensitivity with which the determining emotions and impressions of the inner world of the poet are expressed throughout the composition.
Developing.
As for the structural form, it can be seen that the poem is constituted in four sections, which are aligned in free verses that rhyme at the taste of the author and maintain a varied metric combined in verses of minor art and major art, with thisThe author manages to create some rhythm and musicality that become attractive and embellish the text.
With aesthetic and descriptive motifs, the author refers to the tactile image: "When I have reached the most daring and cold vertex", whose utility lies in providing the reader with a feeling of loneliness and sadness;and the kinesthetic image: "The time of fruits, mature and fruit time", with which it is possible to put the interpretation and imagination into play, resulting in a mixture of sensations that allude to a desired station.
On the other hand, the predominant figures are the enumeration evident in: "A swan, a tree, somewhat distant and cheerful", with which it intends to demonstrate the attempt of his beloved for trying to waste that sadness and pain that accompanied the woman whoAt some moment he loved, even when the hope of expected happiness is not very noticeable, thereby managing to give depth and emphasize the aforementioned idea.
The metaphor figure is applied in order to grant more meaning: "I have been marking with crossings of fire", with it, what the poet wants to emphasize is a memory of the carnal and greater passion stage that he lived with hisBeloved, in this way, the interpretation plays a fundamental role for the reader to understand the idea that tries to hide and that can be discovered by those who really understand the situation in which the lyrical speaker is.
As for the syntactic point of view, a reiteration is visible in certain nouns such as body, loneliness and sadness, in this way the poem is given a touch of female sensuality, which achieves in itself giving some appreciation of the texture of thatlover woman. All of them described with adjectives such as white, fearful, thirsty, quiet and delusional;It is precisely that the author allows to evoke a bipolar panorama linked to the sensuality and tenderness that the speaker denotes in relation to the lyrical object.
In the first section, the expression of a stage is denoted in which the whirlwind of carnal desires is imposed on its most vivid expression released. "My mouth was a spider that crossed hiding", with it, sensuality and restless.
In the following section, the tenacity presented by the author to express the understanding with which the lyrical speaker appreciates the sentimental situation of which his beloved witness, since he has already suffered much earlier that melancholy that horrifies him with him with himMade of being aware that her beloved is also a victim of her, and even worse to know that not even all the love provided has served him to forget and leave behind the problems with which she is tormented.
It is also where a manifestation and revelation that the lyrical speaker with which he opts for the path of solidarity towards his beloved in a search for happiness that will arrive jointly one of the other is denoted. He wishes to show him that he understands his situation since it is he who has also gone through that melancholic situation. In this section the symbology of the "port" that is mentioned in this position that represents the seasonality and the drepphery in which he learned to live and fight loneliness is undoubtedly.
On the other hand, the third section draws the panorama of the agonizing sentimental separation of lovers, of the transition from despair love that causes passing time, however, a certain hope is still evident by his lover: “Something singsAmong these fleeting words ". In this, the "bird wings".
In the last section on the other hand, a return to the allusion of the desired desires that were previously shared, however, the moment of the farewell is close and becomes a convulsion that becomes frenzy. That is why an escape is imposed, an escape on feelings, love, his beloved. The remarkable symbol is "night flow.
conclusion.
In itself, the poem denotes great depth and romanticism, characteristic of the poems of Pablo Nerudform that romantic issues are addressed so that they are attractive to the reader, who are the most usual in Pablo Neruda’s poetry.
Bibliography:
- Chilean National Library. (s.F.). Pablo Neruda (1904-1973).
- Thousands, s. (s.F.). The Nerudian avant -garde, a writing of denial.
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