The Weakness Of Beauty In Sternberg Movies

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The weakness of beauty in Sternberg movies

 After having visualized and analyzed the four films of Josef Von Sternberg, American director who was that he discovered Marlene Dietrich who gave life to Lola-Lola in the blue angel (Der Blaue Engel, 1930), Lily in the Shanghai Express. Princess Sophia in Imperial Capricho and Conchita in the devil is a woman . The reason why I name these characters that she played is because the common aspect that I find in the four films and what impressed me is the personification. In this present work I will analyze these four characters that have in common an elegant, glamorous, seductive, attempt, exotic woman, that is, the visually attractive, thus being her body and face which highlights the maximum splendor in the movies.

This female character, who could not go on the screens without his black costumes, glitter dresses or skins, feathers, fans, jewelry veils, and to highlight the face with sophisticated makeup to highlight the paleness of his face because, his spicy smile isalso accentuated in the films, in addition to his thin body, his striking blond hair and his delicate voice . The appearance of "Dietrich" in the films did not stop impacting any spectator, including me, and not only outside the screens, but also, the center of attention at the parties or cabaret because the agglomeration of always people did not matterIt was the character that highlighted. The incredible thing about this character is not only his elegant clothing or accessories, if not, the seductive, attempt that falls in love and coats the men who fall before their charm. The wonder that Von Sternberg created who made her an erotic woman and could even call her a "femme fatale". It is evident that in the scenes you witness a naughty way to play with the characters and also with the viewer. In the blue angel like Lola Lola singing, her legs can be seen with her sensual and attractive seductive socks calling attention and being the center of the room. In addition, cynical, cruel, mocking and belittling their suitors, accommodated men who try to fall in love giving attention and going crazy about it or stuck in love triangles. Now, this would not have been possible without the participation of Von Sternberg who, with his incredible film power to allow Dietrich to be everything mentioned.

Why Dietrich acts like this with men? Without a doubt, his image and style of this character stand out in the cinema at that time. But as I mentioned it would not have been possible without Von Sternberg, who appointed her main actress in her four films and some other. He was the one who allowed him to interpret this figure, falling in love with the viewer also with the voice. What I want to get to, is that Sternberg allowed him to be powerful in all aspects, where not only fell physically, that he also uses this resource to have men at his feet. If not also, being the center of attention because it is always the main one, which although it is surrounded by women, it will always be the one that highlights. So, this allows her to take advantage of the men who are interested in her. It should also be noted that he has a powerfully sensual personality, this evidenced in the imperial whim, when he meets Count Alexei, and he immediately falls in love with her. However, Princess Sophia at the beginning is difficult to conquer, being a naive girl, but finally ends up being an ambitious, seductive or sensual woman. This example helps me focus on the idea that plays with the thoughts of a man, falls in love and finally plays with them. This is also inevitable to name him in the movie The Blue Angel, when he meets Professor Inmanuel Rath knows her and also quickly falls in love with her, but what attracts attention is that she follows the current to him, sitting on her legs, being beingseductive with him, also falling in love with his voice, his songs and dances where she finally plays with him making him ridicule and mocking him. Looking for a life of luxuries and whims, also in rejecting men as the merchant of The Shanghai Express, in this film you also appreciate it that you saw of adorned black sets, and exaggerated, wallet, hairstyle, and sophisticated makeup. The same happens in the devil is a woman, where she also plays with the men who surround her like when "shell" seduces and ridiculizes Don Pascual and he falls before her and becomes obsessed. There is also a love triangle, so she who causes a mess between the two. The scene that I want to focus on this movie is 20: 10-21,50 where Concha looks at the officer but his gaze is from Pícara, seductive, sits on his legs and kisses him, however, then he stops saying “Do not come backTo touch me ”he plays with him, tenting him so that he continues to stay with more desire for her, ending up becoming the victim that he just wants to play with her .

That image, the gestures, their unique style called the eyes of anyone who sees it. Sternberg gave another sense to a personification of an unusual woman in the films where only the attributes (such as large breasts) are shown, if not also possible to do it with voice, facial gestures and focus on several scenes to the face of the face ofshe. While it is true, at the moment that comes before cameras, the first expression that comes out of one is "what a beautiful woman" "I want that body" "that glamorous" "" that leather dress must cost expensive, that is, it has money "" ""I would like to be like her, with that essence and the beare.

In conclusion, it is necessary to note that these films could not exist without it, since, the director has allowed himattempt and play with men. She is always the star who has highlighted physically and personally in the movies, where it shows that she is permeated both in the character and her personification and the nature of the characters she interprets that she has created as an icon.   

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