The Social Evolution And Economic Development Of The Victorian Era

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The social evolution and economic development of the Victorian era

In the nineteenth century, the beautiful Victorian era of Victorian England was an era of social evolution and economic development. Together with the traditional working classes and the class of rich people, it forms a unique and unique middle class. However, some people do not belong to this Victorian social model. ‘Abandoned children’ are a forgetfulness so to speak for society: people without past, connection or status. They can appear in any kind at any time.

During the Victorian era, the role of the gender system and human relationships to divide the genre into all aspects of society was born. This gender class system, also known as the ideology of independent domain, has evolved from a changing economic program, the opinions of the great Victorian philosophers and the resurgence of the honesty of religion. The influence of the division of social class in Victorian women 200 years ago during the reign of Queen Victoria in England. Victorian English families are divided into four different categories: aristocrats or gentlemen, middle class, advanced working class, and in the last position, lower work class. As were popular in Victorian literature, high and medium classes have some romantic opinions about them in literature.

What characterized romanticism is, above all, a demand for freedom and modernity: it is freedom in art, freedom in society. Literary freedom is the place of birth of political freedom. It is that of the century, and will continue. At the literary level, this revolution will be manifested by the denigration of classicism and its rules, now considered belonging to another time. Romanticism as a tendency in the art and literature of England emerged in the 90s of the 18th century. Romanticism in England formed before other countries in Western Europe, had its vivid specificity and individualism.

Romanticism is one of the rarest trends in European literature, in literature romanticism is mainly understood as a formal literary tendency, but as a certain philosophy, and it is through this philosophy that we try to define romanticism.

One of the characteristics of romanticism in England was his magnificent lyric poetry, especially lyric poetry in which the writer’s identity expressed himself brilliantly in everything he wrote. The English authors framed their observations and points of view in parables, fantastic visions, cosmic symbolism. They understood sublime things and feelings not only as something exclusive, but could be present in the simplest things, in everyday life.

Another characteristic of romantic literature was special attention to the spiritual world of man, but, in contrast to sentimental literature, the romantics were not interested in a common man, but in ‘the exceptional man in exceptional circumstances’. The romantic hero experiences violent emotions, struggle for perfection, dreams with an ideal. The English romantics were especially interested in social problems, in terms of modern bourgeois society they opposed the past pre -bourgeois relationships, glorified simple and natural feelings and feelings.

At the end of the 18th century and the beginning of the 19th century, the very understanding of nature changed. First, he associated with changes in the philosophy of life and the vision of the world of romantics, who then explained all phenomena from another point of view, different from medieval views and illustration. The change in the philosophy of the world spirit and the understanding of nature had effects on the romantic image of the landscape: the romantics see the spirit as a basic principle of nature, less understandable and more mysterious.

With this understanding of nature, the image of nature and landscape seemed dual: nature itself and also the spirit that filled it and ruled it. Some argue that the difference from the romantic interpretation of nature focuses on the fact that Romanticism tried to balance the world of pure ideas with the world of visible things, eliminating its opposition.

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