The Sailor Who Lost The Grace Of The Sea

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The sailor who lost the grace of the sea


The sailor who lost the grace of the sea, written by Japanese Yukio Mishima and published in 1963. It is a very recognized novel by the author, who has crossed borders by his poetic writing, his dramatic and disturbing history. During the interactive oral activity I deduced issues of great importance about the author and his work, which I could deeply understand his writing. 

Bibliographically Yukio Mishima, influenced since childhood by her grandmother, was educated under the samurai culture that presided over during the time, which has taken great importance in this work, since contextually, the story is governed about the childhood of Mishima who was underThe control of his grandmother, teaching him the doctrine of the Bushido Code, extremist code for the samurais about loyalty to his homeland, giving her existence to her to protect her.

On the other hand, the role of World War II, the bombing towards Hiroshima and Nagasaki are immersed in this work, in which it frames the situation in which Japan was, which was in an extremely radical change between their customs among their customsand traditions, overthrowing the social and economic pillars of the former Japan. 

Mishima reflects his life in the book, the changes exposed in his country and westernization that seized the old Japan, imposing new reforms in the economic, administrative, educational, among others, among others. This western adaptation was a great impact for Mishima who was a samurai, who honored him to his death.

In addition, the Japanese government was exercised by the emperor, who ruled exuberantly, manipulated and dominated the Japanese society under his term, was the so -called "divine incarnation" within society, to which absolute loyalty should loyalty. The entire Japanese society believed that the loyalty to El Emperor could bring peace to their nation.

Finally, we could deduce that Mishima expresses in his work the changes that settled in Japan and, therefore, the characters represent these drastic changes, that is, criticizes the social system in his country, western influence. As also, Mishima uses the existentialist current in her work in the main protagonist Ryuji, who is a character who seeks glory, but the ambition of this led her to her own death, as happened in Japan, the author highlighted thisPersonality in Ryuji to represent with greater fervor that situation.


The sailor who lost the grace of the sea, work written by Yukio Mishim. This work, with a plot of love and mystery, written in a poetic language, is one of the texts that make the most important in the author’s life, stating their disapproval towards his government through attitudes the characters of this novel.

This work writes the story where Fusako, a mother of Noboru, falls in love with Ryuji, a sailor with great pation to the sea, who is also considered the indisputable hero of Noboru, who gradually goes against his thoughts towards the adult world andHe takes it as his enemy to death. He and his friends elaborate a malevolent plan to carry out the most chilling death of the sailor and with it pay all his positions. That is why the present essay focuses on the father figure as a determining factor in Noboru’s attitudes in this novel.

To begin, Noboru a thirteen -year -old boy who lost his biological father at an early age of eight years, which means the loss of a fundamental pillar of the family since, in times of development of the novel, the dominant figure wasThe man, which meant that the father developed the skills and teaching of children, and the role of women only worked in home care and girl learning. The presence of the imbalance in the development of Noboru was affected due to the lack of it, which could not obtain the teaching and complete knowledge that a father makes known to his children.

On the other hand, due to the lack of paternal teaching during their development, Noboru links friendship with a group of school friends who have anarchic doctrines and principles, who share the same ideas with each other, and are convinced of their genius, especially theChief, who exposes his knowledge about the truth of the world, the detestable, hateful and miserable that are adults, who simply break and shorten the release of an adolescent. 

Because of this, Noboru presents double personality, that of an intelligent, educated child, lover of ships in front of his mother, and the other, a rebel and vindictive child, showing dark side in which he expresses the total displeasure towards the world thatsurrounds it. Noboru finds an opening in his closet that connects to his mother’s room allowing her to spy on her totally naked night rest routine, who exceeds her mother’s intimate privacy limits, accessing to see, for the first time, the femininity of a womandelicate and beautiful in an erotic way.

It is here where she as a widow woman thought that he was the man who needed her. That is why the author tells us that “the death of his own father, when he was eight years old, had therefore built a happy incident, something that could be proud."Expressing how appropriate it is for Noboru that her father has died, there was no one no one who imposed absurd rules or teachings for him, and more than anything, no one to deprive him of this freedom.

Noboru spied to her mother only in the periods in which she bothers him, reflecting her aggressive behavior towards her, since, if her mother bothered with him, he was silently dirty observed her naked body. And it is in these acts where the emptiness generated by his biological father in Noboru is reflected, his attitude and behavior are not appropriate for a 13 -year -old boy.

To the above, the arrival of Ryuji, his new father, who makes his life of a personal and psychologically extreme turn. Ryuji is a sailor who changes his way of life from the sea to the earth to stay next to the woman who loves Fusako, mother of Noboru, the relationship they carry makes it become the father figure for Noboru. 

The fascination of this boy for the ships and the sea led him to see Ryuji as his hero, however, his love and respect is decaying every time he knows him more, when he enters his family and taking all the attention of hismother. Ryuji due to his lack of experience as a father expresses in a soft way to disapprove for Noboru who are not typical of a true hero, shameing him when he introduced him to his friends. Noboru takes it as his worst enemy and with it he assigns charges against him.

Noboru’s friends consider him as privileged for not having a father since childhood, someone who must give orders in his life. Among this, he comments with his experiences with his father and judge them for their behavior, “parents! think a minute about it: they are able to vomit one. Parents are the evil;They represent everything ugly in man.”That statement made it clear how detestable, hateful and unpleasant ones are the parents, who represent the evil of the human being.

The book expresses the rejection of a father figure by Noboru and his friends making it clear that:

Parents are the flies of this world. Our heads fly over waiting for an opportunity and, when they discover something rotten, they fall on it buzzing and shaking in the carrion. Dirty, the scarves that are aerating the four winds that have fucked with our mothers. They would do anything to contaminate our freedom and our faculties. Anything to protect the dirty cities that have built for themselves. 

It would be thought that they refer to the rules that parents interpose inside the house, the constant questions they ask if they are late, not performing household chores or other mischief that a small child does, the limitations that parents allow their children, shortening the freedom that they deserve according to them.

Noboru assigns Ryuji charges against him due to his acts that are not typical of a hero, reaching his final sentence when his mother discovers the hole that was connected to his room who scolds him and then calls Ryuji to punish himFor his unpleasant act, however, his punishment was not pleasant for Noboru, since I do not punish him. Because of these acts Noboru and his friends come together for one of the most macabre conspiracies towards Ryuji, in order to make him pay for all his positions, in addition to becoming his next father and for Noboru he did not consider himself as one.

That is why, as children, surprisingly they want to experience their knowledge are human blood, since “inhumanity was among them something worthy of pride."Preparing a plan to kill the sailor and thus collect sentence to their" horrible "positions, freeing him from his father’s role and dying as a true hero. 

To carry out this inhuman act, they are based on the law that protect those under 14 years of crime. Yukio Mishim.


In conclusion, the father figure in Noboru’s life has brought nothing more than the formation of a child with anarchic, stubborn and vindictive knowledge, from his childhood to his adolescence, and possibly affects his adulthood. The lack of a father figure since his childhood, in addition to playing a very important role in the development of Noboru, has greatly harmed the child’s knowledge and behavior, and that has clearly reflected it in his behavior against the sailor, whoHe also tries to kill him to book him from his position as a father.

 The father figure in Noboru’s life has given rise to a negative development and that psychologically has not had any alteration since despite having produced violent acts, this showed at all times serenity. Yuki Miima has created a story that greatly deepens about ideas, obsessions and traumas that exists in this world and that has been reflected in the characters. But what role does the maternal figure play in the personal and psychological development of Noboru, if she was in the care of Noboru all her childhood? o What relationship does the father figure have in the social criticism made by Yukio Mishima? Being open these questions for subsequent studies. 

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