Popular Short Tales

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Popular Short Tales

Introduction

Pulgarcito is part of a set of popular stories that have been transmitted from generation to generation, with different versions. The Parisian Charles Perrault (1628-1703), known as “The Great Compiler”, published in 1697 with the name of his son, Pierre Darmancour, the work “Les Histories et Conte answma mère l’eye ". This book contains eight popular stories of oral tradition that have become true references in children’s literature: the sleeping beauty of the forest, red ditches, the cat with boots, thumb, blue beard, cinderel.

Developing

Perrault collects these stories of popular tradition (French popular folklore, chivalrous, medieval) and modifies them by giving them a written and cultured child literary form. To this end, he eliminated any vulgar form of them, integrated popular elements, adapted them to the society of the time and added different humorous features. The popular Pulgarcito story was compiled and versioned, as exposed above, in the seventeenth century by Charles Perrault, a time that coincides with the so -called "subsistence crisis": the rise in cereal prices along with the increase in the increase inMortality and morbidity.

The families had many children and sometimes they could not keep all of them;In fact, children’s deaths and disease abounded. At Pulgarcito’s house they were poor. The family was formed by the father, the mother and seven children who still very young to work, something that was also frequent at this time. As these could not contribute money home, parents prefer to abandon them to see death: “They practiced abandonment of children. We can thus understand the abyss that separates our conception of childhood from that of the era before the demographic revolution or its prodromes. 

This insensitivity should not surprise us, which is very natural in the demographic conditions of that time ”. This practice was common among families with few resources in the seventeenth century. As already described in the previous section, the seventeenth century was characterized by famine, and with it the increase in morbidity and mortality. Thus, it can be contrasted that when the story refers to the poverty of the thumb family, it was possibly the usual among families. Continuing with the intention of abandonment of their children, it has also been possible to corroborate through different bibliographic sources.

That many families were forced to do so to avoid dying of their hunger children. Analyzing other aspects of the story, you can see the way in which the woman was seen at that time, with references to it as the following: "He threatened to hit her if she did not shut up" Perrault, "began to faint (whichIt is the first thing almost all women run in similar circumstances) ”Perrault. Thus, an image of women is shown as fragile and defenseless: “One of those basic principles was the submission of women to the husband and the acceptance by that of the authority of this. 

As being inferior, the wife had to make obedience and meekness two of her main obligations and virtues ". Currently, it is impossible to think of a children’s story in which women are qualified in this way. Relationships and differences with subsequent versions: Pulgarcito has a lot of versions, in fact, Darton states that between 1870 and 1915 more than eighty version of "Le Petit Boucet" Maina were recorded. Precisely this era is characterized as the golden age of the investigation of popular stories in France. One of the best known versions is that of the Grimm brothers.

In the stories of childhood and home whose definitive version was in 1859. It is a very different version than that of Perrault, where the condition of smaller thumb size is a reason for love and affection on the part of his parents, who protect him and care about him. In 2010, the Pulgarcito newspaper was published: ‘The history of translated thumb, not only in language, but also in the format, because it is a book that needs another look, another translation alerts to the turns and modifications of the text". It has several differences with the original text: first of all, it is thumb that tells the story. 

In addition, he and his brothers are abandoned by his father and stepmother. Not for his father and mother as in the story of Perrault. On the other hand, the little one faces another kind of conflicts than those of the original book. It is also chosen to give a certain touch of humor through rhymes: "San Hugonote has hair in the mustache" we also find certain similarities, such as the stones soup of the Pulgarcito Secret newspaper, which refers to the walk of stones that Pulgarcito makes inPerrault’s version to remember the way back home. On the other hand, the end of the story is also different.

Pulgarcito and his brothers surround the ogre and enter their castle to keep all the riches of the same. Present values. In thumb we can detect different values. Cooperation. Pulgarcito and his brothers collaborate to get rid of the ogre: “Just thumb heard the snoring of the ogro, woke up to his brothers and told them to dress quickly and follow him. They went very slowly to the garden and jumped over the wall. They ran throughout the night, always shivering and without knowing where they headed ”. Helping others. Pulgarcito offers help both his brothers: "Pulgarcito, who discovered a hollow rock near where they were, made her brothers enter".

"He told his brothers to run away to the house while the ogro slept deeply and not worry about him" like his parents: "Pulgarcito, then, loaded with all the riches of the ogre, he returned to the house of hisFather where he was received with the greatest joy ". Generosity: Pulgarcito offered his parents all the gold of the ogre. Responsibility. Pulgarcito, being the little one of the brothers, is responsible for them: "They followed him and he led them to his abode on the same path they had made to the forest". Abandonment: Pulgarcito and his brothers are abandoned by their parents twice. 

In the symbols dictionary we observe that it has the same meaning as the lost object. Forest: Folk legends and folk tales appear frequently. Means the danger of unconsciousness. Corona: "And there were seven in a big bed, each with a gold crown on the head". Symbolizes the upper character. Footwear: The seven leagues boots of the ogro. “The boots were quite wide and large;But as they were magical, they had the gift of adapting to the size of who fell them ”. It is synonymous with freedom, because formerly slaves went barefoot. Ogro: ‘They heard three or four strong blows to the door: it was the ogre that returned”. 

conclusion

It symbolizes the warning and "the blind and devouring force". Number seven: seven brothers and the seven daughters of the ogro. It means perfection. In Pulgarcito we can extract the meaning/moral that not necessarily the smallest is the weakest. As indicated in the story, Pulgarcito was the smallest and seemingly helpless of all: “They suffered, in addition, because the minor was very delicate and did not speak any word, interpreting as stupidity what was a feature of the goodness of his soul"However, it is the one who manages to save her brothers from the Ogro, and take her parents out of poverty with the gold of the ogre.   

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