In The Center Of New York

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In the center of New York

Introduction

In the center of New York, a huge poster dominated Times Square. On the facade of the Loew’s State Theater in Times Square, for the premiere of The Seven Year Itch. It was in 1955. You can forget many things, things that shone at that time on Times Square, but you remember that poster. Even if you hadn’t been born, you remember that poster. Marilyn Monroe, raised six meters high in what it was, and remains, one of the most powerful images, which has ever jumped out of the advertising of the films.

Developing

A few apples to the east, Judy Holliday, the funny girl of her time, was transformed every night into that paper doll, in the Blue Ángel club with her personification regardless of makeup, it was an act of intelligence and will, and it was the Marilyn Monroe double. Kewpie, worked as a photographer to give a sociocultural magazine of New York, walked along Fifth Avenue with Holliday and met Monroe. Reality and illusion face. How avidly they must have looked at each other! Kewpie said:

We should gather and make a session together, the two Marylin, the real and the false.

The two women were excited about that idea and organized a tea in Judy’s apartment in the Dakota. The pointed day arrived, and Marilyn did not appear, after almost an hour of waiting, Judy got very tense. Finally, after an hour, a person arrived, and it seemed that this person was Marilyn Monroe.

She wore a black cotton shirt, sleeveless, a brown cotton skirt and flat shoes. There was a large fat spot on the front of the skirt. Her belly stood out. Her legs were covered with blows and scabs, which she scratched nervously. Her plain hair looked dark in her roots and, when she raised her arm, I saw an exuberant dark weed; When at that time they all shaved the armpits. The great doll that rose on that poster, with his famous ivory dress. As described by William Travilla, her designer ..

The bodice is of the halter type has a pronounced neckline and is made up of two gently pleated pieces that bind behind the neck, exposing the shoulders, arms and back. The halter is linked to a band that is just under the chest, adapted to the natural line of the waist. A soft and narrow belt is wrapped around the torso, crossed ahead and tied in a waist bond, on the left side. Under the band that surrounds the waist there is a wide smooth skirt that reaches the knees. In the back of the dress there is a zipper and some small buttons behind the halter.

Well, in nothing she looked like the woman who was with Holliday to that immortal image, Monroe was a little shock. Only her voice was unmistakable, a pure sigh, and her skin was truly luminescent.

We were worrying about you! Judy said crying. Her voice trembled, I think that with anger.

I have mosquito bites, the goddess whispered, and she leaned down to scratch once again.

She wanted to make up her face. Then the two thought it would be fun for Judy to make up as Marilyn, while Marilyn looked in the mirror. They started, but it was impossible. Marilyn Guio gracefully, with soft breath impulses:

Mmm, make the eyebrow a little more pointed … yes, that’s … but Judy couldn’t do it. I did it every night, but here, now, in the presence of the real thing and flesh and blood … that also did not look much like the real thing, which gave rise to us to say to philosophical problems, because who or where or where was the real thing? She was here, in this sweet and messy presence, or was it a mere mortfora of the real, that she was up there on the billboard?

Well … Marilyn started, and she laughed, throwing her own head with caution, as if she tried to relieve the stiffness of her neck. And that was when I finally saw, in a rapid study she was doing, that both women had the same problem: both struggled to impersonate Marilyn Monroe without getting it.

So they tried in the other way. Marilyn would reconcile first. Oh, I look horrible, she said, but in the mirror she assumed the authority. She started working with that total theoreonic dispassion of the models, a touch of shadow here, a touch of light there, an extravagance of Rímel, an ingenious swirl of hair around the roots. Holliday I hope, wild of curiosity, for the transmutational touch, of his gaze but Monroe was not doing any magic trick; He was simply aspiring to what he had in front, like any woman does.

And then this remarkable moment arrived, Jonathan of twelve years appeared at the door. Judy leaned towards him and grabbed him by his hand with love.

Jonathan, she said, do you remember the woman we saw in the movie, Marilyn Monroe? The cherub nodded. Do you want to meet her? She again nodded, with very open eyes. Jonathan, she said, and her hand toured the room Tacannn … Trumpets flower, drumsticks: this is Marilyn Monroe.

Marilyn was standing. She tried to get her skirt to put the blouse below. He looked at the boy, and he, and at that moment it happened. Marilyn metamorphosed … and her head bowed easily, the eyelids closed, licked her lips, became that myth and smiled fully on the child’s face and sighed, hi-iiii giving her a pinch in the rubidiscent moflete of Jonathan.

Kewpie made hundreds of negatives that afternoon; Not a single from Marilyn was bad, and most were splendid. In the end, what one saw in the room did not matter. Her face, as they say of certain faces – as they said of Valentino’s face – made the love of the camera.

conclusion

The photos were never published. The magazine, shortly after, broke. The one I keep, what was taken as a memory for me. And it is part of my heart. I have never looked at her without remembering that moment. Marilyn’s transmutation and asked myself: what the hell was Monroe that she was doing? And it must be that he had not thought anything at all. She rather she heard the inner bell of her, and she automatically. Yes, she was a goddess, and we the audience of her, her element, her food and she also acted for me … today with more than seventy years, I still keep those photos and I admire them, how it is done with the Stamp of your favorite holy. 

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