Clint Eastwood, Director Of The Invictus Movie

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Clint Eastwood, Director of the Invictus movie


The Director of Invictus is Clint Eastwood, born in San Francisco (California) on May 31, 1930. He grew up in Oakland with his father, Kimbar, who worked in an Acerera company and his mother, Frances Ruth, who was a housewife raised him with his little sister Jean.

Being teenager he educated his musical talent focusing on jazz and blues, thus managing to play the piano in some clubs in Los Angeles. After getting the school graduate he went to the University enrolling at the University of Seattle but there was enlisted to the army. This led him to become a military swimming professor as well as a goalkeeper of the NCOs Club, a place that was very busy by Hollywood actors. Having met people in the industry while carrying out this work he decided to try their luck in the world of cinema and appeared as extra in some B -series films.

He finally enrolled in the school of interpretation of universal studies in 1954 while, to get income, he works in a gas station juggling to get his dream. Once he studied his first role in a slight performance as a laboratory assistant in the film Revenge of the Creature (1955), from here he obtained small papers until in 1958, after a time away from the cameras, he got a role Secondary on the Rawhide television series. Even if you did not passionate about paper and the series finally ended the lack of audience, Eastwood managed.

International fame came to him when in 1963 he accepted a role in a handful of dollars by Sergio Leone, a film that helped create the genus Spaghetti Westerns, in which the west of the United States was reflected harder and harder in addition to changing the figure of the hero for an antihero, whose creation contributed Clint Eastwood developing the name of the man without a name. These were recurring in Leone’s films and were characterized by being a hunting moved by money, little talkative without any interest in sexuality and the absence of nobility and values ​​was also a characteristic of these characters.

In 1967, the dollar trilogy premiered in theate. Thanks to the money he obtained with this trilogy, adding 25% of the total box office collection that entered by his role in making two mistakes (1968), founded Malpaso Productions, his own producer. The company premiered with Hang’em High, a co -production made with United Artists and after being released in 1968 was acclaimed by critics.

A year later another Eastwood success comes with the Águilas challenge, after which he specializes in police and Western films. In 1971 Eastwood puts himself behind the camera recording chill at night, which is quite well received by the public. In 1972 the role of his protagonist in Harry the dirt. The same goes for the law in 1976 and the midnight adventurer in 1982.

Eastwood wins four Oscar in 1992, among whom he finds the best director, thanks to his western without forgiveness. Fame continues when from the age of 65 there is an increase in maturity in the director’s works, some of them are the Madison bridges, midnight in the garden of good and evil, imminent execution, Space Cowboys and debt of debt of blood.

In 2003 the director obtained, thanks to the drama of his Mystic River, the Golden Coach Award at the Cannes Festival. In addition to this other members of the cast won prizes such as two Oscar and two Golden Globes. In 2005 Million Dollar Baby was awarded the best director and the best film.

Eastwood in 2008 led two films, the first one was the exchange, and the second great Torino, the last of his films in which in addition to director was also an actor. The following year he obtained several Oscar nominations, Golden Globes and Critic´s Choice Awards thanks to Invictus. J. Edgar was at the Top 10 films of the year 2011 according to American Film Institute and National Board of Review. The last film of the great director was Richard Jewell who, according to American Film Institute, was also among the top 1st best films of the year 2019.

Throughout his career Clint Eastwood has left traces in his works through which they are recognized as his. Realistic lighting, mainly turned off, outdoor shootings with large planes and the use of sequence planes are some of them.

The theme around which most of his works revolve is the moral, the humanity of his main characters that in turn seek "the acquittal of their sins" leaving behind an uncertain past.

These characters appear as anti heroes. Clear an example of this is the protagonist of Gran Torino, a retired ex -combatant who must assume his widowhood and therefore his loneliness, since his woman was the only person who managed to keep his side during his life during his life. In the evolution of the character it looks like this is repudiated by his neighbors at first to later become his hope.

Certain characteristics are attributed to Eastwood for its repetition in several cinematographic works, an example of this is like its white hunter movie, Black Heart (1990) begins with a character down from one plane and another mounting on horseback, that is, the two scenes appear in parallel and the same happens in the pale rider of 1985.

The woman is also a recurring theme in her films. These are fighters and strong, they give their best for a cause, which in most cases is usually the protection of their family or a loved one. Through them it shows how goodness is present in a world where evil abounds. Example of this are the protagonists of Million Dollar Baby (2004) or El Exchange (2008).

We cannot deny the amount of variation that Eastwood implements throughout its filmography and the number of different aspects that make each film unique and original. Highlights the game of use of vagrants, working class, that is, their films make their characters express themselves with freedom and understand that they feel, it is able to enter the mentality, either of main or secondary characters and, Somehow, you immerse yourself in the cinematographic world that you are watching . It is convenient to highlight that, it encourages the game with the lighting for it to be realistic, also using circular narratives and the practice of remarkable colors, characters that will always have a mentality and posture in front of the world. If we enter Eastwood as a character, we see how he chooses to interpret someone hard, with quite exaggerated gestures and as a totally stylized person, with airs of masculinity and firm posture.

Regarding Clint Eastwood’s hobbies apart from the cameras, he also passionate about music, which he studied during adolescence by emphasizing jazz, blues, country music and classic. Being a pianist and composer in 1959 he produced his first album in addition to distributing music in several Warner Bros productions under the Malpaso Records label.

As a last point, it should be noted that several businesses flooded Eastwood’s life which are less known than those previously appointed. The first one was a pub that failed since shortly after having started working he decided to close the business. However, he carried out fruitful businesses such as Theama Golf Club, which created the same, and his investment in Pebble Beach Golf Link due to the director’s fans to this sport provided economic benefits.

Clarifying in the Invictus movie, there are several reasons why he decided to make this movie and because expressly Clint Eastwood the director. It emphasizes that the situation for which the situation was in practically Africa during the Rugby World Cup, and as the situation is critical in that period of the Presidency of Mandela, is attracting attention, that is why, the fact that through From the sport to unite a whole country, return values, principles and leave aside the enemy, that the fact that blacks and blacks after all work together makes the country take a path and prosper properly.

It should be noted that years ago Morgan Freeman was already working on a Mandela movie, but when he was called to star Interest, considering this filmography as ideal and was interesting in addition to enchanting the elaboration of the script. He had no doubt about how shocking the story was, he was intrigued by the link between Mandela and Francois Pienaar. He also thought together with producer Robert Lorenz, who was a good way to see Mandela’s most personal side and highlight all his qualities that made him a great leader.

Clint Eastwood wanted to make it clear from the first moment that he wanted This caliber deserved to be this way. Finally, he adds that the cinematographic team they had was quite good and the group that formed it were pleasant when working so that recording this film, in short, was something that dazzled in general terms.   

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